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Flying Roll No. XII
TELESMATIC IMAGES AND ADONAI
By G.H. FRATER D.D.C.F. (S.L. Macgregor-Mathers)
Now there is also a mode whereby, combining the letters, the colours,
the attributions and their Synthesis, thou mayest build up a telesmatic
Image of a Force. The Sigil shall then serve thee for the tracing
of a Current which shall call into action a certain Elemental
Force. And know thou that this is not to be done lightly for thine
amusement or experiment, seeing that the Forces of Nature were
not created to be thy plaything or toy. Unless thou doest thy
practical magical works with solemnity, ceremony and reverence,
thou shalt be like an infant playing with fire, and thou shalt
bring destruction upon thyself.
See well also that thou makest the Image as pure and beautiful
as possible, for the more impure or common the figure, the more
dangerous is it unto thee. Write upon the breast its Sigil, upon
the girdle its Name, and place clouds below the feet. And when
thou hast done this with due solemnity and rigid correctness of
symbolism, shunning as thou wouldst shun death any suggestion
of coarseness or vulgarity in an Angelic symbol, then hear what
it shall say unto thee.
Seraphim will give thee an Angelic Figure like a Warrioress with
Flame playing about her, and a countenance glorious like the Sun,
and beneath her feet the stormy Sea and thunder clouds, and lightning
about her, and a glow as of Flame. She has a triangular helmet
or headdress of Flame like the symbol of Fire.
Graphiel will give thee a Great Angel like a Female Warrior with
a most glorious countenance, crowned with the Crescent and flashing
with Ught, and surrounded by Flame and Lightning and with Four
Wings.
The termination EL always gives to Angelic Forms the Wings
and Symbols of Justice. The ending YAH will make the Figures
like enthroned Kings or Queens, and with flaming glory at their
feet.
In vibrating the Divine Names, the Operator should first of all
rise as high as possible towards the idea of the Divine White
Brilliance in KETHERkeeping the mind raised to the plane of loffiest aspiration.
Unless this is done, it is dangerous to vibrate only with the
astral forces, because the vibra-tion attracts a certain force
to the operator, and the nature of the force attracted rests
largely on the condition of mind in which the operator is.
The ordinary mode of vibrating is as follows: Take a deep and
full inspiration and concentrate your consciousness in your heart,
which answers to Tiphareth. (Having first, as already said, ascended
to your Kether, you should endeavour to bring down the white Brilliance
into your heart, prior to centering your consciousness there.)
Then formulate the letters of the Name required in your heart,
in white, and feel them written there. Be sure to formulate the
letters in brilliant white light, not merely in dull whiteness
as the colour of the Apas Tattwa. Then, emitting the breath, slowly
pronounce the Letters so that the sound vibrates within you, and
imagine that the breath, while quitting the body, swells you so
as to fill up space. Pronounce the Name as if you were vibrating
it through the whole Universe, and as if it did not stop until
it reached the further limits.
All practical occult work which is of any use, tires the operator
or withdraws some magnetism, and therefore, if you wish to do
anything that is at all important, you must be in perfect magnetic
and nervous condition, or else you will do evil instead of good.
When you are using a Name and drawing a Sigil from the Rose, you
must remember that the Sephirah to which the Rose and Cross are
referred, is Tiphareth, whose position answers to the position
of the heart, as if the Rose were therein. It is not always necessary
to formulate before you in space the telesmatic angelic figure
of the Name. As a general rule, pronounce the Name as many times
as there are letters in it.
TELESMATIC ATTRIBUTIONS OF THE LETTERS OF THE HEBREW ALPHABET
ALEPH |
Spiritual. Wings generally, epicene, rather
male than female, rather thin type. |
BETH |
Active and slight. Male. |
GIMEL |
Grey, beautiful yet changeful. Feminine,
rather full face and body. |
DALETH |
Very beautiful and attractive. Feminine.
Rather full face and body. |
HEH |
Fierce, strong, rather fiery; feminine. |
VAU |
Steady and strong. Rather heavy and clumsy,
masculine. |
ZAYIN |
Thin, intelligent, masculine. |
CHETH |
Full face, not much expression, feminine. |
TETH |
Rather strong and fiery. Feminine. |
YOD |
Very white and rather delicate. Feminine. |
CAPH |
Big and strong, masculine. |
LAMED |
Well-proportioned; feminine |
MEM. |
Reflective, dream-like, epicene, but female
rather than male. |
NUN |
Square determined face, masculine, rather
dark. |
SAMEKH |
Thin rather expressive face; masculine. |
AYIN |
Rather mechanical, masculine. |
PEH |
Fierce, strong, resolute, feminine. |
TZADDI |
Thoughtful, intellectual, feminine. |
QOPH |
Rather full face, masculine. |
RESH |
Proud and dominant, masculine. |
SHIN |
Fierce, active, epicene, rather male than
female. |
TAU |
Dark, grey, epicene; male rather than female. |
(These genders are only given as a convenient guide.)
There is another method of assigning gender based upon whether
or not the sound of the HEBREW Letter is arrested or prolonged.
If the former it is masculine, if the latter it is feminine
as follows:
SOUND PROLONGED (MASCULINE)
|
Aleph
|
broad A
|
Beth
|
B-Bh
|
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Vau
|
U,V, 00
|
Zayin
|
Z
|
|
Caph
|
K, Kh
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Nun
|
N
|
|
Samekh
|
S
|
Ayin
|
O, Ngh, Au
|
|
Qoph
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Q, Qh
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Resh
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R
|
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Shin
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Sh, S
|
|
|
SOUND ARRESTED (FEMININE)
|
Gimel
|
G, Gh
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Daleth
|
D, Dh
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Heh
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H
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Cheth
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Ch (gutteral)
|
|
Teth
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T
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Yod
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I, J, Y.
|
|
Lamed
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L
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Mem
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M
|
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Peh
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P, Ph
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Tzaddi
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Tz
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Tau
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T, Tb.
|
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SUMMARY
In the vibration of Names concentrate first upon the highest aspirations
and upon the whiteness of Kether. Astral vibrations and material
alone are dangerous. Concentrate then upon your Tiphareth, the
centre about the heart, and draw down into it the White Rays from
above. Formulate the letters in White Light in your heart. Inspire
deeply, and then pronounce the letters of the Name, vibrating
each through your whole systemas if setting into vibration the
Air before you, and as if that vibration spread out into space.
The Whiteness should be brilliant.
The Sigils are drawn from the lettering of the Rose upon the Cross,
and these are in Tiphareth, which corresponds to the heart. Draw
themas if the Rose were in your heart.
In vibrating any Name, pronounce it as many times as it has letters.
This is the Invoking Whirl.
Example: The Vibration of
ADONAI HA-ARETZ.
Perform the Banishing Ritual of the Pentagram in the four quarters
of your room, preceded by the Qabalistic Cross. Then in each quarter
give the Signs of the Adeptus Minor, saying IAO and LVX, making
the symbol of the Rose-Cross as taught in the paper describing
the Rose-Cross Ritual.
Pass to the centre of the Room, and face East. Then formulate
before you in brilliant white flashings the Letters of the Name
in the form of a Cross i.e. both perpendicular and horizontal,
as seen in the diagram below
Formulate the perception of Kether above you, and draw down the
White Light about this cross. Then, taking a deep inspiration,
pronounce and vibrate the Letters of the Name. Flashing
brilliant White Light should hover round them. This is the
Expanding Whirl in the Aura.
Having gained the whiteness, then form the Telesmatic Image, not
in your heart but before you, extending it and encouraging the
ideal figure to expand and fill the Universe. Then immerse yourself
in its rays and absorbing, also be absorbed by, the brightness
of that Light, until your Aura radiates with its brightness.
These, then, are two processes: The INVOKING WHIRL related to
the Heart. The EXPANDING WHIRL related to the Aura.
ADNI makes the figure from head to waist; HA-ARTZ from waist to
feet. The whole Name is related to Malkuth, Matter, and Zelatorship.
ALEPH. Winged, white, brilliant, radiant Crown.
DALETH. Head and neck of a woman, beautiful but firm, hair long,
dark and waving.
NUN. Arms bare, strong, extended as a cross. In the right hand
are ears of corn, and in the left a golden Cup. Large dark spreading
Wings.
YOD. Deep yellow-green robe covering a strong chest on which is
a square lamen of gold with a scarlet Greek Cross in the angles
four smaller red crosses.
In addition a broad gold belt on which ADONAI HA - ARETZ is written
in Enochian or Hebrew characters.
The feet are shown in flesh colour with golden sandals. Long yellow
green drapery rayed with olive reaches to the feet. Beneath are
black lurid clouds with patches of colour. Around the figure are
lightning flashes, red. The crown radiates White Light. A Sword
is girt at the side of the figure.
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